Fine-art film: a soft, matte look for garden weddings
Matte blacks, creamy highlights and quiet greens with a fine grain, in the spirit of soft medium-format film.
True to cameraFine-art film
Drag to compare. Left of the line is True to camera, the plainest look; right of it is Fine-art film at full strength, rendered from the same file.
| What it does | Matte blacks, creamy highlights, muted greens, fine grain: a soft medium-format feel |
|---|---|
| Good for | Garden and vineyard weddings, natural-light details |
When we'd reach for it
Garden and vineyard weddings, natural-light details, flat lays of rings and invitations.
When we wouldn't
A dark reception. Lifted blacks on a mostly dark frame read as fog.
The recipe
These are the settings stored in the look, drawn rather than listed. They sit on top of your camera's own colour and the exposure and white balance CullTone sets for each photo, so the same look lands a little differently on every frame.
Every look has a strength from 0 to 1.5. At 0 you get the plain camera-matched edit, at 1 the look as drawn here, and above 1 more of everything it does. More on reading curves in tone curves for photographers.
Close to this one
Try Fine-art film on your own photos
Start a trial, create a project and pick this look. The studio shows it on your frames, at any strength, before anything renders.