Tamil silk and jasmine: deep reds, gold and white flowers
Cleaner and less warm than South Indian temple gold: jasmine stays white, Kanjivaram reds and maroons go deeper, and gold zari stays bright.
One of the six looks made for Indian weddings, region by region. You choose it per project; CullTone never picks it from the people in the frame.
True to cameraTamil silk & jasmine
Drag to compare. Left of the line is True to camera, the plainest look; right of it is Tamil silk & jasmine at full strength, rendered from the same file.
| What it does | Deep Kanjivaram reds and maroons, bright zari gold, neutral whites |
|---|---|
| Good for | Tamil weddings, temple and mandapam ceremonies |
When we'd reach for it
Tamil Hindu weddings, temple and mandapam ceremonies, the muhurtham at dawn.
When we wouldn't
Warm lamp-lit evenings you want kept golden. South Indian temple gold keeps more of that warmth.
The recipe
These are the settings stored in the look, drawn rather than listed. They sit on top of your camera's own colour and the exposure and white balance CullTone sets for each photo, so the same look lands a little differently on every frame.
Every look has a strength from 0 to 1.5. At 0 you get the plain camera-matched edit, at 1 the look as drawn here, and above 1 more of everything it does. More on reading curves in tone curves for photographers.
Close to this one
Try Tamil silk & jasmine on your own photos
Start a trial, create a project and pick this look. The studio shows it on your frames, at any strength, before anything renders.