High-contrast black and white for dance floors and drama

Deep blacks, bright whites, dark skies and a bold vignette.

Groom seeing the bride for the first time in a garden, in True to camera Groom seeing the bride for the first time in a garden, in Black & white high contrast True to cameraBlack & white high contrast

Drag to compare. Left of the line is True to camera, the plainest look; right of it is Black & white high contrast at full strength, rendered from the same file.

Portrait of a woman in a charcoal coat, in Black & white high contrast
A portrait in even studio light
Couple dancing among sparklers at night, in Black & white high contrast
Sparklers on a night dance floor, under string lights
From the list of all 54 looks
What it doesDeep blacks, bright whites, dark skies, bold vignette; dark suits keep their texture
Good forDramatic portraits, dance floors

When we'd reach for it

Dance floors, dramatic portraits, rain and city nights.

When we wouldn't

Soft close-ups of skin, where the contrast is unkind to texture.

The recipe

These are the settings stored in the look, drawn rather than listed. They sit on top of your camera's own colour and the exposure and white balance CullTone sets for each photo, so the same look lands a little differently on every frame.

Tone curve Dashed line: no change. Points are where the look bends the curve.
Colour grading Black and white: the colour is taken out, so there is nothing to tint.
  • Exposuremore
  • Contrastmore
  • Highlightsless
  • Shadowsmore
  • Vignetteless
  • Grainmore
SlidersEach bar starts at the centre: right means more, left means less. The scale is CullTone's own, so it doesn't map one to one onto Lightroom's sliders.

Every look has a strength from 0 to 1.5. At 0 you get the plain camera-matched edit, at 1 the look as drawn here, and above 1 more of everything it does. More on reading curves in tone curves for photographers.

Close to this one

All 54 looks side by side

Try Black & white high contrast on your own photos

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